Concepts of Music in Community Music Therapy

Reflections from a Professional Experience

要旨

This article explores how concepts of music shape music therapy practices, focusing on a three-year-long Community Music Therapy workshop with adolescents at a community center in Argentina. Drawing on theoretical perspectives from Nordoff-Robbins music therapy, music sociology, and aesthetic philosophy, the paper examines how adolescents’ experiences of music-making reflected processes of empowerment, communication, and emotional expression. Through selected vignettes, the essay highlights moments in whichgroup-led musical improvisation opened space for personal insight and collective participation. Rather than presenting quantitative data, the methodology of this paper is based on qualitative reflection and practitioner inquiry. A key distinction is made between the flexible, improvisational structure of the workshop and the retrospective, narrative method used in this analysis. Challenges of working in community settings—such as silence, resistance, and grief—are discussed alongside the possibilities thatemerge when adolescents become co-creators in music therapy. Ultimately, this essay contributes to ongoing discussions in music therapy about the role of music as a social and relational practice, and invites further reflection on how we understand and use music in community-based contexts.

Editorial Comment

Amplification is not only an aesthetic choice but also a clinical and ethical gesture. It is no surprise, then, that when discussing decolonial perspectives, community music therapy emerges as a central approach in these articles. This piece offers a compelling example of how a therapist’s reflexivity can open a healing space—one that resists hierarchy and instead honors the lived experiences of participants. Notice how the text articulates existing theoretical positions while also embracing the stance of “not knowing,” allowing space to be surprised and to have one’s assumptions challenged.