Tracks on Repeat

An Autoethnographic Poessay

著者

  • Britton Williams Drama Therapy, New York University, USA

DOI:

https://doi.org/10.15845/voices.v21i1.3227

キーワード:

Black aesthetics, Black clients, Black clinicians, Black expression(s), Black creative resistance, racial oppression, racialized violence, (re)imagining care

要旨

At the time of this writing, the world is in the throes of a global pandemic. COVID-19 has reached every corner of the world. The impact has been devastating across individual and collective contexts. This autoethnographic poessay is a creative exploration of a Black woman’s experience(s) of living in and through COVID-19 and enduring racial oppression. It weaves between time, space and place recognizing the interconnectedness of the personal, professional, and social-cultural. This piece intentionally amplifies, and grapples with, emergent and conflicting tensions without seeking to resolve them.

Author Biography

Britton Williams, Drama Therapy, New York University, USA

Britton Williams is a Black woman. Drama Therapist. A myriad of hyphens and ands. She is a teacher and student. A thinker and dreamer. She is urgently concerned with the possibilities that live with/in radical (re)imagining and the inextricable connectedness of healing and liberation. And...

Picture of the author Britton Williams

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出版済

2021-04-20

How to Cite

Williams, B. (2021). Tracks on Repeat: An Autoethnographic Poessay. Voices: A World Forum for Music Therapy, 21(1). https://doi.org/10.15845/voices.v21i1.3227

巻号

巻 21 号 1 (2021): Special Multidisciplinary Issue on Black Aesthetics & the Arts Therapies

セクション

Essays

License

Copyright (c) 2021 Britton Williams

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Articles published prior to 2019 are subject to the following license, see: https://voices.no/index.php/voices/copyright