Tracks on Repeat

An Autoethnographic Poessay

Auteurs-es

  • Britton Williams Drama Therapy, New York University, USA

DOI :

https://doi.org/10.15845/voices.v21i1.3227

Mots-clés :

Black aesthetics, Black clients, Black clinicians, Black expression(s), Black creative resistance, racial oppression, racialized violence, (re)imagining care

Résumé

At the time of this writing, the world is in the throes of a global pandemic. COVID-19 has reached every corner of the world. The impact has been devastating across individual and collective contexts. This autoethnographic poessay is a creative exploration of a Black woman’s experience(s) of living in and through COVID-19 and enduring racial oppression. It weaves between time, space and place recognizing the interconnectedness of the personal, professional, and social-cultural. This piece intentionally amplifies, and grapples with, emergent and conflicting tensions without seeking to resolve them.

Biographie de l'auteur-e

Britton Williams, Drama Therapy, New York University, USA

Britton Williams is a Black woman. Drama Therapist. A myriad of hyphens and ands. She is a teacher and student. A thinker and dreamer. She is urgently concerned with the possibilities that live with/in radical (re)imagining and the inextricable connectedness of healing and liberation. And...

Picture of the author Britton Williams

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Publié-e

2021-04-20

Comment citer

Williams, B. (2021). Tracks on Repeat: An Autoethnographic Poessay. Voices: A World Forum for Music Therapy, 21(1). https://doi.org/10.15845/voices.v21i1.3227

Numéro

Vol. 21 No. 1 (2021): Special Multidisciplinary Issue on Black Aesthetics & the Arts Therapies

Rubrique

Essays

Licence

© Britton Williams 2021

Licence Creative Commons

Cette œuvre est sous licence Creative Commons Attribution 4.0 International.

Articles published prior to 2019 are subject to the following license, see: https://voices.no/index.php/voices/copyright