Being Together in Music

Thoughts From a Philosophy Cafe Dialogue

Authors

  • Hiroko Miyake, 三宅 博子 Department of Music Cultures & Education, Kunitachi College of Music, Japan

DOI:

https://doi.org/10.15845/voices.v22i1.2635

Keywords:

dialogue, philosophy cafe, culture and language

Abstract

In this paper shares and discusses questions that arose from music therapy sessions with an adolescent with severe multiple disabilities, with people not directly involved in the case. In the early sessions with this client, I wondered, “How can I make music with this client?” I intuitively felt that this question was not confined to the dyadic relationship between the client and myself as therapist, but was connected to the larger social structure and the various values and relationships within it. To share this question with those not directly involved in the case, I organized a small dialogue event using the Philosophy Cafe method. Through this, participants got a taste of each other's differing views and discovered new viewpoints together, thus enabling them to create a shared image of the word. This could serve as an example of how clinical music therapy practice can connect with the community surrounding it, and open up the case to society. Such dialogue also enables careful examination of the words and concepts used in the field of music therapy. This could lead to a review of the use of these words and concepts which had been developed from a modern, Western-centric perspective.

Author Biography

Hiroko Miyake, 三宅 博子, Department of Music Cultures & Education, Kunitachi College of Music, Japan

Hiroko Miyake, Ph.D, RMT (Japan), is an associate professor at Kunitachi College of Music. She works with people with disabilities in her clinical practice and also conducts community music projects with diverse people. Miyake’s research interest concerns how different people can create a collaborative space through music. She co-presides Shibanoie Otoasobi Lab. (community music project), Otomusubi Music Club (community band for people with and without disabilities), Kokonowa Dialogue Circle for Studying Musical-Clinical Practices.

References

Ansdell, G., & Stige, B. (2016). Community music therapy. In J. Edwards (Ed.), The Oxford handbook of music therapy (pp. 595-621). Oxford University Press.

Kajitani, S. (2015). Taiwa to-shite-no tetsugaku no shatei: Groubal jidai no tetsugaku purakutisu. (The scope of philosophy as Dialogue: Philosophical practice in the global age.) In M. Saitou (Ed.), Gendai nihon no yottu no kiki: Tetsugaku kara-no tyousen.(The four crises of modern Japan: A challenge from philosophy), (pp. 91-114). Koudansha.

Miyake, H. (2014). Bio-political perspectives on the expression of people with Disabilities in music therapy: Case examples. Voices: A World Forum for Music Therapy, 14(3). http://dx.doi.org/10.15845/voices.v14i3.800.

Miyake, H., Nagatsu, Y., & Ijiri, T. (2016). Aato to kea ni okeru kenkyuu to sono shiza; Taiwa-gata jissen kenkyu wo jirei ni (Considering research perspective in art and care: A case study of dialogical practice research). Art Meets Care, 7, 37-50. https://artmeetscare.org/wp-content/uploads/2017/03/3_H_Miyake_37_50.pdf

Sautet, M. (1995). Un Café pour Socrate. Robert Laffont.

Washida, K. (2013). Sendai-MediaTeku Jisyujigyou “Taiwa no Kanousei” Jobun. (Preface to "Possibility of Dialogue"). Sendai Mediatheque. https://www.smt.jp/dialogues/

Washida, K., & CAFÉ PHILO. (Eds.) (2014). Tetsugaku-Kafe no tukurikata. (How to create a Philosophy Café.) Osaka University Press.

Photo of author Hiroko Miyake

Published

2022-03-01

How to Cite

Miyake, 三宅 博子 H. (2022). Being Together in Music: Thoughts From a Philosophy Cafe Dialogue. Voices: A World Forum for Music Therapy, 22(1). https://doi.org/10.15845/voices.v22i1.2635

Issue

Section

Reflections on Practice