“Blending in”

Participant Observation in Adolescent Fieldwork Informed by Music Therapy Improvisation

Autor/innen

  • Guro Høimyr Norwegian Academy of Music
  • Karette Stensæth Norwegian Academy of Music

DOI:

https://doi.org/10.15845/voices.v26i3.4812

Schlagworte:

music therapy improvisation, participant observation, adolescents, trustbuilding, school revue

Abstract

This article explores how competencies associated with music therapy improvisation may inform participant observation as a relational research practice. Drawing on fieldwork conducted in two school revue settings in Norway, the study examines how a music therapist–researcher built trusting relationships with adolescents aged 16–19 through participant observation over a six-month period. The  material consists of field notes and audio memos, together with individual and group interviews. Data were analysed using reflexive thematic analysis. The findings show that trust emerged through four interrelated relational themes: blending in, modesty, self-disclosure, and hesitations. Across these processes, the researcher continuously adjusted her presence and participation in response to subtle interpersonal cues, group dynamics, and ethical considerations. In the discussion, the themes are interpreted in light of music therapy improvisation, showing how competencies such as sensitivity to timing, responsiveness, and relational restraint shape trust-building in fieldwork. The article contributes to music therapy by illustrating how competencies developed through improvisation may
extend beyond clinical settings and inform relational research practices. At the same time, it contributes to qualitative research more broadly by demonstrating how such competencies may function as methodological resources in participant observation.

Autor/innen-Biografien

Guro Høimyr, Norwegian Academy of Music

Guro Høimyr is a Doctoral Researcher at the Centre for Research in Music and Health (CREMAH) at the Norwegian Academy of Music. Her PhD project examines Norwegian school revues (shows) as arenas for participation, creativity and public health among adolescents. She holds a degree in Music Therapy from the Norwegian Academy of Music, with further qualifications in children’s choir conducting and certification as an authorized teacher of Complete Vocal Technique. She has extensive experience as a music therapist, choir conductor, and vocal instructor.

Karette Stensæth, Norwegian Academy of Music

Karette Stensæth is a professor of music therapy and the leader of the Center for Research in Music and Health (CREMAH) at the Norwegian Academy of Music. As a centre leader, she works with developing projects and research collaborations. Recently, she has been heavily involved in projects with people with dementia. Stensæth is behind several national and international publications, including articles, books, and anthologies. Her interest in the world of Mikhail Bakhtin’s ideas has motivated her writing. Stensæth has more than 20 years of practical experience as a music therapist with children and young people in vulnerable situations.

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4812-Høimyr and Stensæth

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Veröffentlicht

2026-11-05

Zitationsvorschlag

Høimyr, G., & Stensæth, K. (2026). “Blending in”: Participant Observation in Adolescent Fieldwork Informed by Music Therapy Improvisation . Voices: A World Forum for Music Therapy, 26(3). https://doi.org/10.15845/voices.v26i3.4812

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Research