Honoring Día de los Muertos as a Mexican American Music Therapist

Individual and Community-Based Experiences

Autores

DOI:

https://doi.org/10.15845/voices.v24i3.4214

Palavras-chave:

Mexican American; music therapy; grief; Rio Grande Valley

Resumo

Día de los Muertos plays a significant role in Mexican American culture and has implications for how communities in the borderlands process experiences of death and dying. This article will describe the socio-historical context of this annual celebration, outline recommendations for establishing a community ofrenda in music therapy programs, and discuss culturally informed music experiences for individual and community-based music therapy treatment.

Biografia do Autor

Marisa de León, RGV Music Therapy and Wellness Center, Rio Grande Valley, Texas, USA; Music Therapy Department, Temple University, Philadelphia, USA

Marisa de León, MS, MT-BC is a music therapist in the Rio Grande Valley. She is the founder and clinical director of RGV Music Therapy and Wellness Center, a private practice specializing in culturally-informed music therapy along the southernmost region of the Texas-Mexico border. She received her undergraduate degree in music therapy at Texas Woman’s University and a master’s degree in health care administration at the University of Texas at Rio Grande Valley. She is currently pursuing graduate studies at Temple University and is passionate about music therapy in Mexican American communities. While in private practice, Marisa works with clients of diverse clinical backgrounds across South Texas.

autohor photo 4214_de León

Downloads

Publicado

2024-11-01

Como Citar

de León, M. (2024). Honoring Día de los Muertos as a Mexican American Music Therapist: Individual and Community-Based Experiences. Voices: A World Forum for Music Therapy, 24(3). https://doi.org/10.15845/voices.v24i3.4214

Edição

v. 24 n. 3 (2024)

Seção

Reflections on Practice

Licença

Copyright (c) 2024 Marisa de León

Creative Commons License
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.

Articles published prior to 2019 are subject to the following license, see: https://voices.no/index.php/voices/copyright