An Approach to the Notion of Situated Knowledge

Authors

  • Emanuel Cerebello González Sociedad de Capacitación Kintsugi, Asociación Chilena de Musicoterapia, Chile
  • Angélica Chantré Universidad Nacional de Colombia, Colombia
  • Ernesto Erdmenger Orellana Asociación de Musicoterapeutas en México, Universidad Humanitas, Mexico
  • Virginia Tosto Universidad de Buenos Aires, Universidad Juan Agustín Maza, Argentina

DOI:

https://doi.org/10.15845/voices.v25i3.4587

Keywords:

knowledge construction, epistemic privilege, epistemic injustice

Abstract

The authors of this essay are members of the Knowledge Construction Commission of the Latin American Music Therapy Committee. In this paper, we set out to investigate the genealogy of the notion of situated knowledge. The notion arises from standpoint theory(Harding, Haraway) and has been fruitful in debates about ways of constructing knowledge that have taken place during the second half of the 20th century. In conjunction with critical geography, it has made it possible to question positivist assumptionsand to propose that: a) knowledge is constructed in particular social and historical conditions, affected by political processes; b) it follows that considering knowledge, including scientific knowledge, as universal, neutral, and objective is a myth; c) communities have epistemic privilege when it comes to accounting for their experiences and realities; and, d) the situated nature does not refer to geographical locations but to the reflective and critical processes carried out by communities.

Editorial Comment

In this short essay, the authors ask themselves what conditions are required for knowledge to be considered situated. Their reflections lead us to recognize the performative nature of the spaces in which we carry out our professional practices, develop theories, and conduct research. They raise situations of injustice due to cognitive capitalism but, at the same time and in line with decolonial perspectives, they assert their position of epistemic privilege to narrate the development of the discipline in the region.

Author Biographies

Emanuel Cerebello González, Sociedad de Capacitación Kintsugi, Asociación Chilena de Musicoterapia, Chile

Master’s Degree in Higher Education (USEK). Music Therapist (UBA), Diploma in Dalcroze Eurhythmics (EM), Diploma in Scientific Research (USEK), Diploma in Learning Planning and Assessment (USEK), Diploma in Higher Education Methodology (USEK).

Angélica Chantré, Universidad Nacional de Colombia, Colombia

Surgeon, pediatric specialist with a Master’s Degree in Music Therapy (Colombia). She has conducted research and clinical practice with oncology and dementia patients and caregivers

Ernesto Erdmenger Orellana, Asociación de Musicoterapeutas en México, Universidad Humanitas, Mexico

Piano professional and psychologist with a Master’s degree in Humanistic Music Therapy and Gestalttherapy. Coordinator of the Publications Commission of the Association of Music Therapists in Mexico. Commissioned by Mexico for the Knowledge Building Commission at CLAM.

Virginia Tosto, Universidad de Buenos Aires, Universidad Juan Agustín Maza, Argentina

Bachelor’s degree in Music Therapy. PhD candidate in Epistemology and History of Science with research on Embodied Musical Cognition. She develops her professional practice in the field of teaching and supervision. Member of the Argentine Association of Music Therapy. Member of the Knowledge Building Commission (Latin American Committee of Music Therapy).

4587_authorphoto_Cerebelo-Gonzalez_et-al

Published

2025-11-03

How to Cite

Cerebello González, E., Chantré, A., Orellana, E. E., & Tosto, V. (2025). An Approach to the Notion of Situated Knowledge. Voices: A World Forum for Music Therapy, 25(3). https://doi.org/10.15845/voices.v25i3.4587

Issue

Section

Essays