Sounding the Authentic Self: Artistic Expressions of a Queer Music Therapist

Authors

  • Colin Andrew Lee Wilfrid Laurier University

DOI:

https://doi.org/10.15845/voices.v19i3.2799

Keywords:

queer autoethnography, musical expressions, improvisation, queer identity, HIV/AIDS

Abstract

This piece is a queer autoethnographic cycle of words, poems, and improvisations that reflect my lived experience as a queer music therapist. The improvisations come from a two-day recording session held at the Maureen Forrester Hall, Wilfrid Laurier University, Canada. By expressing my identity as a queer music therapist, I came to understand with greater clarity the therapeutic-creative process that was central to my work with clients. The music offered as part of my contribution to this queering music therapy special issue acknowledges the courage and peace needed to embrace my intersecting identities as a composer–music-therapist and a queer cisgender man.

Author Biography

Colin Andrew Lee, Wilfrid Laurier University

Professor and Director of Music Therapy

 

References

Adams, T. E., & Holman Jones, S. (2008). Autoethnography is Queer. In N. K. Denzin, Y. S. Lincoln, & L. T. Smith (Eds.), Handbook of critical and indigenous methodologies (pp. 373-390). Thousand Oaks, CA: Sage.

Adams, T. E., & Holman Jones, S. (2011). Telling stories: Reflexivity, Queer Theory, and Autoethnography. Cultural Studies <.> Critical Methodologies, 11(2), 108-116.

Bain, C., Grzanka, P., & Crowe, B. (2016). Toward a Queer Music Therapy: The Implications of Queer Theory for Radically Inclusive Music Therapy. The Arts in Psychotherapy, 50, 22-33.

Boggan, C., Grzanka, P., & Bain, C. (2018). Perspectives on Queer Music Therapy: A Qualitative Analysis of Music Therapists’ Reactions to Radically Inclusive Practice. Journal of Music Therapy, 54(4), 375-404.

Gumble, M. (2019). Embodied Speech Through Song: A Queer Autoethnographic Exploration of Gender Affirming Voicework in Music Therapy (Master's thesis). Slippery Rock, PA: Slippery Rock University.

Holman Jones, S., & Harris, A. (2019). Queering Autoethnography. London, GBR: Routledge.

Lee, C. A. (2003). The Architecture of Aesthetic Music Therapy. Gilsum, NH: Barcelona.

Lee, C. A. (2008). Reflections on Being a Music Therapist and a Gay Man. Voices: A World Forum for Music Therapy, 8(3), https://doi.org/10.15845/voices.v8i3.415.

Lee, C. A. (2016a). Music at the Edge: The Music Therapy Experiences of a Musician with AIDS. London, GBR: Routledge.

Lee, C. A. (2016b). Aesthetic Music Therapy. In J. Edwards (Ed.), The Oxford Handbook of Music Therapy. Oxford, UK: Oxford University Press.

Lee, C.A. (2019, in press). Musical Awakenings: The Experiences of a Queer music Therapist in the Face of HIV and AIDS. In F. Everett Maus & S. Whiteley (Eds). The Oxford Handbook of Music and Queerness. Oxford, UK: Oxford University Press.

Published

2019-10-29

How to Cite

Lee, C. A. (2019). Sounding the Authentic Self: Artistic Expressions of a Queer Music Therapist. Voices: A World Forum for Music Therapy, 19(3). https://doi.org/10.15845/voices.v19i3.2799