Queer as a Bell: Music and the Psychotherapeutic Relationship
DOI:
https://doi.org/10.15845/voices.v19i3.2674Keywords:
music therapy, psychotherapy, queer theory, queering, LGBTQAI, intersubjectivity, analytical music therapyAbstract
Musical co-creation between the client and the therapist can be used as a means of skewing the dominant paradigms of the historically hierarchal psychotherapeutic relationship. This process, known as queering, opens the possibility for new ways of being in therapy space that may support empowerment of both the client and the therapist. Music engagement contributes to an intersubjective dynamic where the therapist's material may enter the session space more vulnerably and authentically than through a purely verbal process. When viewed critically through a queered perspective, this intersubjectivity may allow for a decrease in the power differential traditionally associated with the client–therapist dyad. In this article, a queer theoretical perspective is used to examine the unique role music and creativity play in this therapeutic relationship. Current queer, linguistic, and creative arts therapy theory are examined to support the hypothesis.
References
American Psychiatric Association. (1973). Diagnostic and statistical manual of mental disorders (DSM-II®). New York: American Psychiatric Pub.
Bain, C. L., Grzanka, P. R., & Crowe, B. J. (2016). Toward a queer music therapy: The implications of queer theory for radically inclusive music therapy. The Arts in Psychotherapy, 50, 22-33.
Barker, M., & Scheele, J. (2016). Queer: A graphic history. UK: Icon Books, LTD.
Barnett, J. E. (2011). Psychotherapist self-disclosure: ethical and clinical considerations. Psychotherapy, 48(4), 315-321, https://doi.org/10.1037%2Fa0026056.
Buirski, P., & Haglund, P. (2009). Making sense together: The intersubjective approach to psychotherapy. Lanham, MD: Rowman & Littlefield.
Dowson, T. A. (2000). Why queer archaeology? An introduction. World Archaeology, 32(2), 161-165.
Halperin, D. M. (1997). Saint Foucault: Towards a gay hagiography. New York: Oxford Paperbacks.
Glickman, C. (2012). Queer is a Verb [Web log]. Retrieved from http://charlieglickman.com/2012/04/06/queer-is-a-verb.
Halperin, D. M. (2003). The normalization of queer theory. Journal of homosexuality, 45(2-4), 339-343.
Hansen, J. T. (2000). Psychoanalysis and humanism: A review and critical examination of integrationist efforts with some proposed resolutions. Journal of Counseling & Development, 78(1), 21-28.
Harris, B. T. (2019). Identity, awareness, and disclosure of sexual orientation in creative arts therapies. In B. MacWilliam, B. Harris, D. Trottier, & K. Long (Eds.), Creative arts therapies and the LGBTQ community: Theory and practice. Philadelphia, PA: Jessica Kingsley Publishers.
Kenny, C. B. (1999). Beyond this point there be dragons: Developing general theory in music therapy. Nordic Journal of Music Therapy, 8, 127-136.
Lee, C. (2008). Reflections on being a music therapist and a gay man. Voices: A World Forum For Music Therapy, 8(3), https://doi.org/10.15845/voices.v8i3.415.
Natterson, J. M., & Friedman, R. J. (1995). A primer of clinical intersubjectivity. Jason Aronson.
Queer. (n.d.). In Oxford Online Dictionary. Retrieved from https://en.oxforddictionaries.com/definition/queer
Scheiby, B. B. (2005). An intersubjective approach to music therapy: Identification and processing of musical countertransference in a music psychotherapeutic context. Music Therapy Perspectives, 23, 8-17.
Spitzer, R. L. (1981). The diagnostic status of homosexuality in DSM-III: A reformulation of the issues. The American Journal of Psychiatry, 138(2), 210-215.
Stevenson, C. (2008). Psychotherapy: A queer space. Smith College Studies in Social Work, 78(2-3), 243-262.
Whitehead-Pleaux, A., Donnenwerth, A. M., Robinson, B., Hardy, S., Oswanski, L., & Forinash, M. (2013). Music therapists’ attitudes and actions regarding the LGBTQ community: a preliminary report. The Arts in Psychotherapy, 40, 409-414.
Whitehead-Pleaux, A., Donnenwerth, A. M., Robinson, B., Hardy, S., Oswanski, L., & Forinash, M. (2012). Lesbian, gay, bisexual, transgender: and questioning: best practices in music therapy. Music Therapy Perspectives, 30, 158-166.
Published
How to Cite
Issue
Section
License
Copyright (c) 2019 Brian Harris

This work is licensed under a Creative Commons Attribution 4.0 International License.
Articles published prior to 2019 are subject to the following license, see: https://voices.no/index.php/voices/copyright