This article discusses Helen Bonny’s role as a musician, focusing on her early musical history, her choice of the violin, her musical training, her expression as a musician over the years, the quality of her playing, and the way that playing music was foundational to her life and work. The information in the article is based on written sources that describe her life as a musician, including an autobiographical statement written by Helen herself, as well as interviews and personal communications with musicians who have had the privilege of playing music with her.
Articles published prior to 2019 are subject to the following license, see: https://voices.no/index.php/voices/copyright
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under the Creative Commons Attribution License CC-BY 4.0 that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.