Compassionate Human First, Music Therapist Second

Music Therapy as a Radical Force for Social Justice in Institutions

Authors

  • Kate Apley Nordoff and Robbins, London, United Kingdom
  • Stella Hadjineophytou Nordoff and Robbins, Glasgow, United Kingdom

DOI:

https://doi.org/10.15845/voices.v26i1.4580

Keywords:

music therapy, anti-oppressive practice, social justice, radical action, institutions, compassionate practice

Abstract

In this paper we elucidate the concept that music therapy can be a radical force for social justice in institutions. We share our interactions with people in music therapy who have lived experience of disability and/or life-limiting health conditions as an impetus for exploring the intersections of social justice, radical and political action, and the institutional settings where music therapy work takes place. In doing so, we challenge definitions of professionalism in music therapy, invite speculation on how music therapy may contribute to systemic oppression and healthcare justice, and offer the idea that being a compassionate human might be the  fundamental purpose of music therapy. The intention of this narrative-infused contribution is to encourage a shift within the current discourse from theoretical and idealistic engagement with social justice frameworks to empirical and critical understandings and approaches. We make use of Foluke Taylor’s (2023) anti-oppressive and forgiving style of writing with “loose threads” to expand the scope of our discussion and to invite our audience into dialogue with us.

 

Acknowledgements

We would like to acknowledge in particular our colleagues Fatima Lahham, Hannah Dash, and Luke Wilson, all of whom have gifted significant time to contribute to our thinking and help us find paths to nuance and clarity. Thank you also to Jacob Harrison, Beth Pickard, Alison Hornblower and Kim Saul for reading earlier drafts of this work and providing useful reflection and feedback.

Author Biographies

Kate Apley, Nordoff and Robbins, London, United Kingdom

Kate Apley, Nordoff and Robbins Music Therapy UK, trained as a music therapist with Nordoff and Robbins, qualifying in July 2022. Since then, she has worked for Nordoff and Robbins across North London and Central England in schools, care homes and hospitals. Kate is interested in the social justice power of music therapy and the potential for music therapists to challenge oppression through and around their work.

Stella Hadjineophytou, Nordoff and Robbins, Glasgow, United Kingdom

Stella Hadjineophytou, Nordoff and Robbins Music Therapy UK, born in London, UK, trained as a music therapist with Nordoff and Robbins, qualifying in July 2021. Since then, Stella has been working for Nordoff and Robbins in Glasgow, Scotland, delivering music therapy in recovery settings, care homes, and a range of educational institutions. Stella is interested in the topics of disability, language, and social justice in music therapy. Stella is a trustee of the Scottish Music Therapy Trust and a PhD student at Nordoff and Robbins/Goldsmiths, University of London

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Published

2026-03-03

How to Cite

Apley, K., & Hadjineophytou, S. (2026). Compassionate Human First, Music Therapist Second: Music Therapy as a Radical Force for Social Justice in Institutions. Voices: A World Forum for Music Therapy, 26(1). https://doi.org/10.15845/voices.v26i1.4580

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Position Papers