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   <front>
      <journal-meta>
         <journal-id journal-id-type="DOAJ">15041611</journal-id>
         <journal-title-group>
            <journal-title>Voices: A World Forum for Music Therapy</journal-title>
         </journal-title-group>
         <issn>1504-1611</issn>
         <publisher>
            <publisher-name>GAMUT - Grieg Academy Music Therapy Research Centre (NORCE &amp;
               University of Bergen)</publisher-name>
         </publisher>
      </journal-meta>
      <article-meta>
         <article-id pub-id-type="doi">10.15845/voices.v19i2.2847</article-id>
         <article-categories>
            <subj-group subj-group-type="heading">
               <subject>Special Section: In Memory of Benedikte Barth Scheiby</subject>
            </subj-group>
         </article-categories>
         <title-group>
            <article-title>You Are The Music: The Music Therapy Spirit of Benedikte Scheiby</article-title>
         </title-group>
         <contrib-group>
            <contrib contrib-type="author">
               <name>
                  <surname>Aigen</surname>
                  <given-names>Kenneth</given-names>
               </name>
               <xref ref-type="aff" rid="K_Aigen"/>
               <address>
                  <email>ken.aigen@gmail.com</email>
               </address>
            </contrib>
         </contrib-group>
         <aff id="K_Aigen"><label>1</label>Steinhardt School of Culture, Education, and Human
            Development; New York University</aff>
         <pub-date pub-type="pub">
            <day>1</day>
            <month>7</month>
            <year>2019</year>
         </pub-date>
         <volume>19</volume>
         <issue>2</issue>
         <permissions>
            <copyright-statement>Copyright: 2019 The Author(s)</copyright-statement>
            <copyright-year>2019</copyright-year>
            <license license-type="open-access"
               xlink:href="http://creativecommons.org/licenses/by/4.0/">
               <license-p>This is an open-access article distributed under the terms of the
                     <uri>http://creativecommons.org/licenses/by/4.0/</uri>, which permits
                  unrestricted use, distribution, and reproduction in any medium, provided the
                  original work is properly cited.</license-p>
            </license>
         </permissions>
         <self-uri xlink:href="https://voices.no/index.php/voices/article/view/2847"
            >https://voices.no/index.php/voices/article/view/2847</self-uri>
      </article-meta>
   </front>
   <body>
      <p>Benedikte Barth Scheiby lived, breathed, ate, drank, and slept music therapy. Some people
         would call her a workaholic, but that assumes that music therapy was work for her, which it
         surely was not. It was something that she loved to do—perhaps as much as anything else in
         the world—whether it was clinical practice, supervision, teaching, lecturing, or just
         talking about the work. As her husband of 30 years, I can assure you that there was nothing
         that Benedikte liked to talk about more than her work. There was no greater fan and booster
         of music therapy than her.</p>
      <fig id="fig1">
         <label>Photo 1</label>
         <caption>
            <p>This photo of our mailbox gives you an indication of her sentiments.</p>
         </caption>
         <graphic id="graphic1" xlink:href="Pictures/10000000000001960000021DFE50C0AE7499C815.jpg"/>
      </fig>
      <fig id="fig2">
         <label>Photo 2</label>
         <caption>
            <p>The pure joy in her face in this photo of her playing a Native American drum conveys
               all you need to know about her feelings about her work.</p>
         </caption>
         <graphic id="graphic2" xlink:href="Pictures/100000000000024E0000037A2253C0B85353DF5A.jpg"/>
      </fig>
      <p>Benedikte lived a terrifying childhood. She never knew her father, a medical doctor who
         took his own life when she was just three months old. And her mother was an alcoholic who
         repeatedly put the physical safety and lives of Benedikte and her older brother Johs. in
         danger in a variety of ways. As a result, she never experienced true parental love or the
         warm embrace of an immediate family.</p>
      <fig id="fig3">
         <label>Photo 3</label>
         <caption>
            <p>Benedikte with her brother, Johs.</p>
         </caption>
         <graphic id="graphic3" xlink:href="Pictures/100000000000035C00000278048657BC0F0B9C3B.jpg"/>
      </fig>
      <p>I mention this history because it was truly remarkable to me in receiving hundreds of
         messages after Benedikte’s passing that the most common message was this one: “Benedikte
         was like a mother to me.” How was it possible for a woman who lived such an emotionally
         impoverished childhood to offer others what was denied to her?</p>
      <p>One reason is that Benedikte went through life creating the family that was not given to
         her naturally. She found mentors and supporters along the way that nurtured her and enabled
         her to make remarkable achievements, personally and professionally. In her circle of
         friends, she created an extended family.</p>
      <fig id="fig4">
         <label>Photo 4</label>
         <caption>
            <p>Benedikte's life philosophy was captured in the phrase from one of Benedikte’s
               refrigerator magnets: “Venner er familien, du selv vælger” (Friends are family that
               you choose yourself.)</p>
         </caption>
         <graphic id="graphic4" xlink:href="Pictures/10000201000001FC0000020E6DD3FCDFED694FC8.png"/>
      </fig>
      <p>Benedikte knew more people than anyone I know—she had multiple address books that were
         crammed full of contact information, business cards, personal mementos, and the like. It
         was impossible for anyone else to find a person in her book because she had a personal
         organizational system that did not necessarily follow any kind of logic, such as using the
         person’s last name. And when I say that she “knew” people I mean that she had substantial
         meaningful connections with people from all over the world; there was nothing superficial
         in any of Benedikte’s relationships.</p>
      <p>Benedikte had more of burning life spirit than anyone I’ve ever met. It was this inner
         flame that allowed her to create a beautiful, well-rounded life with a rich family,
         extended friends, and unique professional contributions. Among her important mentors were
         Mary Priestley, the founder of analytical music therapy (AMT) with whom Benedikte
         trained.</p>
      <fig id="fig5">
         <label>Photo 5</label>
         <caption>
            <p>Two of the people closest to her and part of her Intuitiv Music Group were Annelise
               Lund Sorensen (center) and Lene Ravn (right).</p>
         </caption>
         <graphic id="graphic5" xlink:href="Pictures/1000000000000434000002D707F986133B9D2114.jpg"/>
      </fig>
      <p>There was also Olav Storm Jensen, a bioenergetic body psychotherapist who was Benedikte’s
         primary trainer in this method and her therapist.</p>
      <fig id="fig6">
         <label>Photo 6</label>
         <caption>
            <p>Benedikte with Olav Storm Jensen</p>
         </caption>
         <graphic id="graphic6" xlink:href="Pictures/10000000000001F700000188BE373FE191E5315F.jpg"/>
      </fig>
      <p>On a more personal level, there was a woman named Inger Biehe, someone who had known
         Benedikte’s father and who provided what Benedikte called her “reserve mother”
         relationship, although in this term I think that Benedikte was doing a literal translation
         from the Danish and perhaps the term “surrogate mother” in English might better capture the
         nature of this relationship.</p>
      <fig id="fig7">
         <label>Photo 7</label>
         <caption>
            <p>Inger Biehe</p>
         </caption>
         <graphic id="graphic7" xlink:href="Pictures/1000000000000353000002E020FFF1FFAEB8B82D.jpg"/>
      </fig>
      <p>In addition, Benedikte provided her own maternal nurturance for her niece and nephew, Gritt
         &amp; Teit Uldall-Jessen, the children of her brother Johs.</p>
      <fig id="fig8">
         <label>Photo 8</label>
         <caption>
            <p>Benedikte with Gritt</p>
         </caption>
         <graphic id="graphic8" xlink:href="Pictures/100000000000043500000337C6FF573463C9E2DF.jpg"/>
      </fig>
      <fig id="fig9">
         <label>Photo 9</label>
         <caption>
            <p>Benedikte with Teit</p>
         </caption>
         <graphic id="graphic9" xlink:href="Pictures/10000000000002330000018099AFA8E8FC180916.jpg"/>
      </fig>
      <p>And although Benedikte did practice in the model of AMT she conceptualized her work in a
         very broad way and often described it as being music-centered as well. And I can verify
         that she was in love with the music of Paul Nordoff. She learned to play many of the songs
         he co-wrote with Clive Robbins, and she could easily be brought to tears by hearing Paul
         play and sing to his child clients. In him—and in his music—she felt the paternal attention
         and caring that she never experienced. Together with the child television host, Fred Rogers
         (or Mr. Rogers, as he was generally known)—someone who Benedikte also loved from a
         distance—Benedikte found in the world a way to experience paternal nurturance.</p>
      <fig id="fig10">
         <label>Photp 10</label>
         <caption>
            <p>Ken, Sara, Daniel, and Benedikte on Nantucket Island</p>
         </caption>
         <graphic id="graphic10" xlink:href="Pictures/10000000000003930000025DE1A4FE0F255A9BD7.jpg"
         />
      </fig>
      <p>Benedikte and I started a family together relatively late in life. She was 39 when our
         daughter Sara was born and just a few weeks shy of her 43<sup>rd</sup> birthday when she
         gave birth to our son Daniel. And if I had been amenable to the idea, I’m sure that
         Benedikte would have kept on having children until it was no longer possible. That’s how
         much she loved being a mom and being part of a complete, nurturing, family.</p>
      <p>So, I guess that the answer to the question “How was it possible for a woman who lived such
         an emotionally impoverished childhood to offer to others what was denied to her?” is that
         she just refused to be a victim of her history. She engaged in her own therapy processes
         and she built the life around herself that she wanted. She was a living, shining example
         that no human beings have to be victims of their circumstances. Her clients, students,
         trainees, supervisees, colleagues, friends, and family members felt this in her and we all
         grew to love her deeply for it. This affection shines through in the words of the of the
         people on this tribute video. Jeg elsker dig, min kærste.</p>
      <fig id="fig11">
         <label>Photo 11</label>
         <caption>
            <p>Portrait from Benedikte’s Business Card</p>
         </caption>
         <graphic id="graphic11" xlink:href="Pictures/100000000000022B000002DE41D677249821C645.jpg"
         />
      </fig>
      <sec>
         <title>About the author</title>
         <p>Kenneth Aigen is director of Music Therapy; Steinhardt School of Culture, Education, and Human
            Development; New York University.</p>
      </sec>
   </body>
</article>
