May I Walk in Beauty
Reflections on the Indigenous writings of Carolyn Kenny
DOI:
https://doi.org/10.15845/voices.v18i3.2577Abstract
References
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Kenny, C. (1982). The mythic artery: The magic of music therapy. Ridgeview Publishing Company: Ridgeview, CA.
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Kenny, C. (1989). The field of play: A guide for the theory and practice of music therapy. Ridgeview, CA: Ridgeview Publishing Company.
Kenny, C. (2002b). Keeping the world in balance - Music therapy in a ritual context. Voices: A World Forum for Music Therapy, 2(2), https://dx.doi.org/10.15845/voices.v2i2.84.
Kenny, C. (2006). The earth is our mother: Reflections on the ecology of music therapy from a Native perspective. In S. Hadley (Ed.), Feminist perspectives in music therapy (pp. 81-96). Gilsum, NH: Barcelona Publishers.
Kenny, C. (2012). Liberating leadership theory. In T. N. Fraser & C. Kenny (Eds.), Living Indigenous leadership: Native narratives on building strong communities (pp. 1-14). UBC Press.
Kenny, C. (2016). The field of play. In Music and life in the field of play (pp. 370-565). Gilsum, NH: Barcelona Publishers.
Kenny, C. (2017). The lives of music therapists: Profiles in Creativity, Volume One (Moreno, J. J., Ed.). Dallas, TX: Barcelona Publishers.
Kenny, C., Faries, E., Fiske, J., & Voyageur, C. (2004). A holistic framework for Aboriginal policy research. ON, Canada: Status of Women Canada.
Kenny, C., & Neil, R. (2000). A sense of place: Aboriginal research as ritual practice. In R. Neil (Ed.), Voice of the drum: Indigenous education and culture (pp. 139-150). Canada: Kingfisher Publications.
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Summer, L., & Kenny, C. (2010). Recollections. Voices: A World Forum for Music Therapy, 10(3), https://dx.doi.org/10.15845/voices.v10i3.566.
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